At BAK, three exhibitions take place in this context over the course of 2016, as well as a series of discursive sessions under the title Institute for the Contemporary, leading to a publication of the BAK Critical Reader under the same title. In parallel, BAK’s key educational platform for art and politics, _Learning Place, _unfolds throughout the year as a continuation of BAK’s structural collaboration with MAHKU (MA program, Hogeschool voor de Kunsten, Utrecht) and MAR (Master of Artistic Research program, Royal College of Art/KABK, The Hague).
The collaborative practices, both within the city of Utrecht and transnationally, are at the core of BAK’s institutional work; within this ethos, BAK takes initiative to co-realize two significant transnational projects. New World Summit #6—the sixth iteration of a public gathering initiated by the artistic and political organization by Dutch artist Jonas Staal—takes place in Utrecht in January 2016 as a result of a collaborative effort of the Utrecht-driven institutional consortium consisting of BAK, Utrecht University, and Centraal Museum. Secondly, BAK continues its collaboration with the refugees’ organization _We Are Here _and organizes an international gathering of refugees at the “Drielandenpunt” as an artistic project (re)negotiating the border at the times of unprecedented European—as well as global—refugee crisis.
Further, in the publishing line of BAK Critical Readers in Artists’ Practice BAK will release a publication on one of the most influential artists and cultural producers since the 1980s, Marion von Osten, titled Once We Were Artists, charting the qualitative changes in the artistic practices in relation to social change in the course of the last four decades.